However, they aren’t easily adjustable on the fly for multiple layers unless you MIDI map each layer. There are a few built-in essentials, like color adjustment and soft crop that are great for everyday use. Where Millumin fell down was its inline effects (or lack thereof). It even brought in a live video feed from an old Mini DV camera I brought on a whim, which turned out to be a killer effect. It was also great at normalizing different content sizes, all while keeping the Twitter bar running on the side. It was a real winner for its ability to arrange different setups and recall them quickly, while also being able to arrange the layers into 6 different media positions in MadMapper. ![]() Originally I wanted to use Eli’s license of Resolume Avenue for playback on my computer, but not having too much experience with it, I opted to use the last few days of my Millumin trial for the event. (We later found an alternative in VDMX, later…) It was a bit clunky, occasionally flashing the wrong portion of the screen when FaceTime auto-rotated with the remote iPhone. To maintain a clean look for the screen, we used a MaxMSP patch that siphoned the output of FaceTime into Isadora. For a portion of the event, we were asked to include a remote performance by the Good Women Dance group, which was beamed in over FaceTime as they performed pieces in various locations along Whyte avenue. The low light combined with the decent res of the Dell made for a great map.įor playback, Eli took to our friend Isadora, running the TVs and screen as two stages. The response was great, with one person even asking if we had mounted screens in the walls. I mapped out a few amplifiers, the walls, and some picture frames we whited out with a few old posters. The other two projectors beamed onto each side of the stage. MadMapper got it setup in no time at all. It wasn’t ideal, but it was a convenient placement and got the messages across. The angle that we projected the Twitter bar from was really awkward: a steep upside down diagonal. We really wanted to put our MadMapper rig to good use on this show. Hopefully we can work towards cutting this time down with VGA extenders or a road case rig. We ran VGA for all sources, which took the bulk of our setup time. The USB adapter performed like a champ, with no glitches or noticeable lags with the content we were giving it. We mirrored this channel to power both TVs with the same content. On Eli’s machine, we ran the projection screen straight out of the MBP, and used my USB DisplayLink to get an extra out. The third output powered a projector near the bar that beamed a steady stream of tweets across the bar top. ![]() On my system, I ran our TripleHead2Go to power two projectors pointed cross-shot on the stage. With that many outputs, we needed to stretch the capabilities of our two MacBook Pros, with just one output each. Two of my projectors (including a new Dell 5100MP I found on Kijiji).A projector and screen mounted on one wall. ![]() ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |